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						 NHT1259 
							FAQ  
						This is 
							version 0.2 of the 
							PRELIMINARY, unofficial NHT 1259 list of Frequently Asked Questions. The 
							accuracy of data in this FAQ is unconfirmed and this FAQ is not sanctioned by 
							NHT, the bass mailing list, or any other person(s). Mr. Ken Kantor of NHT has seen 
					  this document and corrected one error, but is not vouching for accuracy. 
						This document 
							is now many years old. Some of the details such as driver availability may no 
							longer be correct. However technical details for the NHT1259 driver itself 
						should still be valid.  
						
						What is the 1259?
						In brief, the 1259 is a 
							cast-frame 12" woofer with a 
							polypropylene cone, large vented voice coil, large magnet structure, rubber 
							surround, and extremely long linear throw. The 1259 is a 6 ohm speaker with a 
							single voice coil. 
                        The 1259 is a custom 
							woofer designed by Bill Bush, NHT Chief Engineer, for 
							use in NHT products and made for them by Tonegen of Japan. NHT has made the 
							driver available to builders through a retailer called A & S Speakers (Also 
							known as Just Speakers).  
                                      
                        
							A & S Speakers
							4075 Sprig Drive
							Concord CA 94520 USA
							Voice 510-685-6400
							FAX 510-603-2724
                        
                        As of January, 1996, if you 
							mention the internet, you get a special price 
							of $115 each for this driver from A & S. The regular price is $149 each. 
							Madisound also sells the 1259 for $149. 
							
						 What are its characteristics?
						
Effective cone diam.        D:     20.00 cm            7.87 in.
Maximum linear excursion Xmax:      1.50 cm            0.59 in.
Bl product                 Bl:      7.50 N/A 
Voice coil dc resistance   Re:      3.40 Ohms
Mechanical mass            Md:     32.00 gm
Mechanical compliance     Cms:      1.52 e-3 m/N
Mechanical losses         Rms:      1.55 kg/s
Nominal impedance     6 ohms
Maximum music power   300 watts
Frequency range       19-1000 Hz        
Sensitivity           90 dB SPL @ 2.83 VRMS @ 1 meter
Voice coil inductance 1.2 mH
Voice coil diameter   50 mm
Voice coil height     34 mm
Air gap height        8 mm
Magnet weight         59 oz
							
THIELE/SMALL PARAMETERS
Effective cone diameter     d:     20.00 cm
Maximum linear excursion Xmax:      1.30 cm
Resonant frequency         F0:     19.00 Hz
Equivalent volume         Vas:    190.00 L             6.71 cu. ft
Mechanical Q              Qms:      2.60  
Electrical Q              Qes:      0.56  
Total Q                   Qts:      0.46  
Reference efficiency       n0:      0.22 %
Output level<             SPL:     85.52 dB SPL
Effective area             Sd:    507.00 sq. cm
Maximum displacement       Vd:    408.41 cu. cm
                          Krm:     28.89
                          Kxm:     26.67
                          Erm:       .584
                          Exm:       .647
							
PERFORMANCE COMPARISONS             CLOSED    REFLEX   
Enclosure volume           Vb:     88.62    299.21 L 
-3dB frequency             F3:     32.43     15.56 Hz
Peak response ripple       Rh:      0.00      0.04 dB
Maximum acoustic output   Par:      0.15      0.03 W
Maximum SPL               SPL:    100.88     94.14 dB SPL
Maximum electrical input  Per:     68.57     14.52 W
FREQUENCY RESPONSE
Intervals per octave   6.0
 CLOSED    REFLEX 
Starting frequency  
15.9    -12.66     -2.21 dB
17.8    -10.78     -0.77 dB
20.0     -8.99     -0.27 dB
22.4     -7.29     -0.13 dB
25.2     -5.73     -0.09 dB
28.3     -4.36     -0.07 dB
31.7     -3.20     -0.05 dB
35.6     -2.27     -0.03 dB
40.0     -1.56     -0.02 dB
44.9     -1.05     -0.01 dB
50.4     -0.69     -0.00 dB
56.6     -0.45      0.00 dB
CLOSED BOX DESIGN         
Desired system Q         Qtc:      0.71
Recommended box volume    Vb:     88.62 L             3.13 cu. ft
Enclosure damping                 3.00 (0 - 5)
Tuning ratio               a:      1.91 
System resonance          Fc:     32.43 Hz
Actual system Q          Qtc:      0.71 
-3dB frequency            F3:     32.43 Hz
Peak response ripple      Rh:      0.00 dB
Maximum acoustic output  Par:      0.15 W 
Maximum SPL                      100.88 dB
Maximum input power      Par:     68.57 W
VENTED BOX DESIGN (NOT RECOMMENDED!!!)
Recommended box volume    Vb:    299.21 L            10.57 cu. ft
Tuning ratio               a:      0.64 
Enclosure resonance       Fb:     16.50 Hz
Recommended vent diameter Dv:     20.05 cm            7.89 in.
Desired vent diameter     Dv:      5.08 cm            2.00 in.
Vent length               Lv:      3.73 cm            1.47 in.
-3dB Frequency            F3:     15.56 Hz
Peak response ripple      Rh:      0.04 dB
Max. acoustic output     Par:      0.03 W 
Maximum SPL                       94.14 dB SPL
Maximum input power      Per:     14.52 W
						
						
						How can I use it?
						
							The 1259 works best in a sealed enclosure of 
							approximately 3 cubic feet (85 liters), stuffed with approximately 3 pounds of 
							acoustic polyester fiber or fiberglass insulation. 
						In the NHT 3.3, the 
							first speaker design in which the 1259 was incorporated, 
							the internal volume used is 2.7 cubic feet (76.44 liters). In addition, the NHT 
							3.3 makes use of a sub-divided enclosure with resistive damping between sections 
							to achieve an even lower 3dB rolloff frequency (called F3).  
						One of the best 
							material for speaker cabinets is 1" MDF (Medium Density 
							Fibreboard). It is more expensive than particle board, but much better damped. 
							Some have used 3/4" MDF successfully, and have made up for the thinness with 
							extra braces. MDF is hard to find, but many lumber yards can special order it 
							from their normal distributors. Often, the lumber yard doesn't even know that 
							they can get it, because so few people ask for it.  
						When calculating volume, 
							allow for the space taken up by the speaker itself 
							and all internal braces. Use lots of braces spaced irregularly. They will not 
							hurt and will probably help. Use cleats at the joints, shelf braces, cross 
							braces, and even battens across the larger panels. Box L vs W vs H is not 
							critical at all (nor in any other closed box in which the shortest wavelengths 
							to be reproduced are appreciably longer than the shortest box dimension).  
						Exact enclosure volume 
							is not critical, and stuffing can be added or 
							subtracted to fine tune the response. Mr. Ken Kantor recommends adjusting the 
							stuffing by monitoring the impedance versus frequency of the sealed box system. 
							Add stuffing to lower the frequency where the impedance is highest. When that 
							impedance peak starts to rise in frequency, you have added too much.  
						The 1259 is built 
							to be mounted facing outwards. Do not use it facing 
							downward or upward. The suspension is not suitable for this use and distortion 
							and/or damage will result from the sagging cone.  
						Is there a dual voice coil version available?
						No. Some people use two 
							1259 subwoofers for stereo and claim that the performance is superb. There are 
							many advantages to dual subwoofers, such as better stereo image, fewer problems 
							with room interactions, and of course, more bass. Others only use one 1259. If 
							you use just one, you should get a separate power amplifier just for the 1259 
							and use that amplifier to mix stereo down to mono. 
						How low will this driver go?
						In an optimum cabinet, it will go flat to 
							30 Hz, and will generate appreciable energy down to 20 Hz, thanks to the more 6 
							db/octave rolloff of an acoustic suspension cabinet (versus the 12 db/octave 
							rolloff of a tuned port enclosure). Depending on the shape and dimensions of the 
							listening room (i.e., the combination of room gain and room modes), a proper 
							1259 subwoofer can produce satisfying response well down towards 20 Hz. The 1259 
							is designed to work well in a near cubical enclosure placed flush against the 
							wall with the driver pointed out into the room. 
						How high will the 1259 go?
						
							The woofer will operate effectively up to 1 
							kHz, but the signal applied to the 1259 should be down by at least 12 dB at 1 
							kHz. Optimum crossover frequencies range from 100 to 250 Hz. 
						What about a crossover for it?
						
							In the NHT 3.3, the 1259 is driven 
							through the following low-pass filter: This filter has a cutoff frequency of 
							approximately 100 Hz. 
       12 mH
+In-----L1-----*--------
       Iron    |       |
       Core    C1      |
             200uF     |
              Non     NHT
             Polar    1259
            Electro-   |
             lytic     |
               |       |
-In------------*--------
						Is this woofer really great?
						This is a very good woofer. It is tailored 
							to excellent home audio in a reasonably sized sealed box, and at a fair price. 
							In addition, the NHT Company puts extremely high demands on Tonegen, the speaker 
							manufacturer, for consistancy and accuracy in the driver. NHT tests each 1259 to 
							10% nominal Vas, Mms, and Qts, and +/- 1 dB response, at their factory before 
							shipping to A & S. This is much tighter tolerance than home builders get in 
							other drivers, and has many benefits. 
						You can spend more money 
							and get a larger woofer, a bigger magnet, etc. Such 
							a driver may be more suitablet for specific applications, like theater sound or 
							outdoor sound, but may actually be inferior for home use. Large magnets improve 
							efficiency, but reduce the low-frequency radiation of woofers by acting as a 
							brake on the counter-voltage the voice coil generates as it cuts through the 
							flux of the magnet. Larger woofers suffer from cone breakup and distortion for 
							large excursions. Finally, more expensive woofers may require larger or more 
							complex enclosures.  
						To our knowledge, the 
							NHT 1259 is one of the most effective deep-bass woofers 
							that have been offered to the DIY constructor. The 1259 has been designed 
							specifically for a small sealed box (acoustic suspension). Used in a vented box, 
							the 1259 might produce more bass, but at the expense of some combination of 
							increased distortion, looser bass, less even frequency response, less maximum 
							output, and at the risk of damage. Vented boxes are not recommended for the NHT 
							1259. The NHT 1259 is a very high compliance woofer which relies on the air in a 
							sealed enclosure to provide back pressure that linearizes cone motion and 
							protects the driver from damage or destruction by excessive excursion below the 
							frequencies at which a vented box loads the woofer cone.  
						One additional attribute of the 
							NHT 1259 is that a key developer of the 
							driver, Mr. Ken Kantor, has helped members of the bass list use the driver to 
							its full potentials, offered candid advice, and even revealed some NHT 
							proprietary details for using the driver. This level of support for a DIY driver 
							is unheard of today.  
						Are there any other great woofers available for DIY subwoofing?
						
							Several 
							manufacturers offer excellent woofers, including Eton, Peerless, JBL, McCauley, 
							Madisound, and Dynaudio. Members of the bass/DIY loudspeaker list often discuss 
							their experiences with other woofers. More than a hundred members of the list 
							have bought the NHT 1259, some who appreciate its unique balance between 
							reasonable price and superb performance, and others who went by its reputation. 
						
						Where can I learn more?
						Buy and read the Loudspeaker Design Cookbook by 
							Vance Dickason. This is the best treatise on DIY speakers that is friendly and 
							readable, yet technical and accurate. 
 
   The Loudspeaker Design Cookbook, by Vance Dickason ISBN 1-882580-10-9
   Old Colony Sound Lab
   PO Box 243
   Peterborough NH 03458-0243 USA
   603-924-9464
   Madisound
   8608 University Green; Box 4283
   Madison WI 53711 USA
   608-831-3433
 
						Who wrote this FAQ?
						Credit goes to many people, 
							including: 
						
						
						  - Paul Close 
						  
 - Ken Kantor 
						  
 - Dan Hildebrand 
						  
 - Doug Purl 
 
						 
						and many other members of the bass mailing list, may it 
							live on forever. 
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